NEIL YOUNG DISCOVERS SYNTHESIZERS! Did Neil actually write this album for his non-communicative son, or was he just trying to guilt us into re-evaluating this album? Does bookending this album with non-synthetic tracks make this bitter pill easier to swallow; or does it just undermine the whole concept? Would a series of animated music videos help explain what exactly a Computer Cowboy does? Does this album take place in a shared universe with Styx’s “Kilroy Was Here”; and if so, who would win Mr. Soul or Mr. Roboto? How long can the team resist making a pun around the word “transphobia”? Find out the truth on this episode of Detours & Outliers.
DYLAN ALIENATES EVERYONE! Dewey Paul Moffitt, curator of the International Bob Dylan Tribute Festival, joins us to discuss the first major misfire from a...
KISS GETS PRETENTIOUS! Who is the Manchild? Who is Morpheus? Who are any of these people and what are they doing? Would listening to...
NEIL YOUNG DOES DOO-WOP! We have no guest this week, so we’re reverting to our earliest days with the cross between episode 1 (Frank...