ELTON JOHN DOES DISCO! Events coordinator and sci-fi rock-opera composer, Dana Cain, goes back to her younger fangirl self as we dig into the mysteries of this peculiar album? Could Elton have spent any less effort getting out of his UNI record contract? Does the world need an eight minute Chuck Berry cover? Does this album even rate a single mention in Elton’s autobiography? What is the utilitarian purpose of grindcore? Are you supposed to think about disco music or just dance to it? Just how “street” is Elton? How quickly did disco die after this album was released? And more importantly, why do they call it The Blues and not, say, The Yellows? Put on your boogie shoes and join us on the yellow brick road this week on Detours and Outliers.
JONI SINGS THE STANDARDS! Aleeya Wilson (Death In Space) joins us virtually to discuss Joni's orchestral and big band covers album of "The Great...
VAN HALEN WITHOUT HAGAR OR DAVE! It's been a year, but we're back for the third time 'round. And speaking of the third time...
DEVO DOES DISNEY! Richard and Bonnie from the band Bolonium help us answer the pertinent questions surrounding this album. Questions like: What was Disney...